{"id":154,"date":"2013-08-10T04:08:55","date_gmt":"2013-08-10T04:08:55","guid":{"rendered":"https:\/\/yangminha.com\/?p=154"},"modified":"2025-08-10T04:48:21","modified_gmt":"2025-08-10T04:48:21","slug":"intervention-misalignment","status":"publish","type":"post","link":"https:\/\/yangminha.com\/?p=154","title":{"rendered":"Intervention, Misalignment"},"content":{"rendered":"\n
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Intervention, Misalignment, 2013<\/strong><\/p>\n\n\n\n

l found the motive for this work from the site of MMCA Seoul, which is the former location of many important institutions from Korean history. First, it was Sogyeokseo (Joseon Dynasty government office in charge of Taoist rituals), then Jongchinbu (Office of the Royal Genealogy of the Joseon Dynasty), and then the National Army Hospital. So the site is saturated with various geographical and historical contexts, but in order to develop this motive into a work of art, lneeded to explore the relations between these contexts. This was a challenge, because those previous occupants seemed to be completely severed from one another, and l felt this was done consciously by those in power. lnterestingly, this repetitious merging and parting of severed contexts is not unique to MMCA Seoul, but common to the entire city. So l felt that it could symbolize Seoul, or even Korea. As l saw the possible scope of the symbolism expanding, l had to change my original plans for the work. At first, l had intended to generate linear images from the written characters of various texts related to the site, but l eventually decided to create a simplerform of images. Another interesting point is that it is almost impossible to find any reliable records of this site, and the public records that do exist have all been altered or censored. So l had to modify my initial idea of representing the site through texts. l wanted to go beyond the site-specific concept of the work to create something that could embody the entire city, so l started to see the work as a flow of patterns. l began creating all these layers, and adding more layers of intervention, and then points of connection where the layers of intenvention come together. But the life of this work is in the intervention, so it was natural to make it interactive with the audience. Actually, since the interaction is so conspicuous, l doubt that my intentions for the work can be clearly identified.
lf you want to use the term \u201ctechnical\u201d to talk about the production of the work, the main features are motion vector fields, networks, and records. The work responds sensitively to the movements of the viewers. There are two infrared cameras that record people\u2019s movements and use them to produce physical motion vector fields. Then those fields are used to automatically alter the patterns of the lines. Basically, the movements of the audience create motion vector fields for each frame, which are sent from the cameras to a computer that controls the main projector on the wall. The computer translates that input data into figures that are transmitted to the LED equipment on the wall, which create the patterns. The figures are also saved in the computer as XML code. l think this series of overly complicated and sophisticated procedures is actually a perfect representation of the geographical and historical context of MMCA Seoul, and the entire city of Seoul.<\/p>\n\n\n\n

2013.11 Intervention, Misalignment \/ Unfold & Connect \/ National Museum of Contemporary Art<\/p>\n\n\n\n

\uc5c7\uac08\ub9b0 \uacb0, \uac1c\uc785, 2013<\/strong>
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\ubc31\uc0c9\uc758 \uad6c\uc870\ubb3c \ud45c\ud53c\uc640 \ubc14\ub2e5\uc5d0 \ud22c\uc0ac\ub41c \uc601\uc0c1\uc740 \uad6c\uc870\ubb3c\uc758 \uc678\ubcbd\uacfc \ubc14\ub2e5\uc744 \ud0c0\uace0 \ub04a\uc784\uc5c6\uc774 \ud758\ub7ec \ubc14\ub2e5\uc758 \ud2c8\uc73c\ub85c \ube68\ub824 \ub4e4\uc5b4\uac00\uba70, \ud22c\uc0ac\ub41c \uc601\uc0c1\uc744 \ud1b5\ud574 \uad00\ub78c\uac1d \uac1c\uc778\uc758 \uac1c\uc785\uc774 \uc774\ub8e8\uc5b4\uc9c4\ub2e4. \uad00\ub78c\uac1d\uc740 \uc77c\uc815\ud55c \ube5b\uc758 \ud750\ub984\uc5d0 \ud30c\ubb38\uc744 \ub9cc\ub4e4\uc5b4 \uc0c8\ub85c\uc6b4 \uc0ac\uac74\uc744 \ub354\ud574\uac00\uba70, \uadf8 \uac1c\uc785\uc73c\ub85c \uc778\ud574 \uad6c\uc870\ubb3c\uc758 \ub0b4\ubd80\uc5d0 \ub2e4\uc2dc \uc601\ud5a5\uc744 \ubbf8\uce5c\ub2e4.<\/p>\n\n\n\n

2013.11 \uc5c7\uac08\ub9b0 \uacb0, \uac1c\uc785 \/ Unfold and Connect \uad6d\ub9bd\ud604\ub300\ubbf8\uc220\uad00 \uc11c\uc6b8\uad00 \uac1c\uad00\uae30\ub150\uc804<\/p>\n\n\n\n